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bogleech

my brain any time we have a hundred dollars: whoa, whoa, whoa…WHOA….stop the fuckin presses guys…..a “HUNDRED“ dollars? Like, a LITERAL hundred of them!? You serious!? That’s like…hold on let me do what I think math is….that’s like….INFINITY dollars. That’s THE big number. TEN TENS, BABY! We can afford ANYTHING! Food! Shoes! Gas! More food! Entertainment!! EVEN more food!!! We are ROLLING in those ten fuckin’ tens!!!! UNSTOPPABLE!!!!

the same brain as soon as we no longer have a hundred dollars: whu…..uh…h-how…how  di…..but…….we had a hundred of them………

Jan 16 2019  |  13,411 notes

humorstaff

I can’t even dance like this barefoot

tarnagatchi

Is that Joey Graceffa?

finalfronqueer

His name is Yanis Marshall, he is incredibly talented, and you will not compare him to the content trash heap that is Jo*y Gr*c*ffa

gingersofficial

This is the guy who played as Deadpool in high heels in the music video with Celine Dion

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Jan 16 2019  |  136,724 notes

niggazinmoscow

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I’ve rewatched the ad at least three times to try and figure out why some folks are angry with it and I’m at a loss.  All I see here is: Be a better human. Set a better example. Encouraging strength of character and integrity over typical “machismo”.

apathbacktoyou

video: show basic human kindness

some absolute gremlins: you sjw feminist piece of shit!! let men be men!!!

(could they have missed the point harder if they had tried…?)

Jan 16 2019  |  67,771 notes

incurablenecromantic

“Old friend” either means an elderly dog or an individual of the same gender with whom you have been secretly in love for more than a decade. There are no other possible interpretations.

grumpyoldgermanwoman

This is blatant archenemy erasure and I won’t stand for it

jagarsjora

Bold of you to assume the archenemy isn’t the individual of the same gender you’ve been secretly in love with for more than a decade

pendragonqueen09

Bold of you to assume the archenemy isn’t an elderly dog

Jan 16 2019  |  195,391 notes
officialunitedstates:
“ The first few months had been, without a doubt, the hardest months of my life. Come in, data entry, lunch, data entry, leave. Over and over. For four hours and then four more. Government work. I thought I had the most boring...

officialunitedstates

The first few months had been, without a doubt, the hardest months of my life. Come in, data entry, lunch, data entry, leave. Over and over. For four hours and then four more. Government work. I thought I had the most boring job in the world, and I wasn’t willing to hear any different. But then I met Jess.

She came over to my cubicle one day. I paused from my spreadsheet and looked up at her, thinking she must be a supervisor if she was visiting me. I  earnestly awaited my reprimand. None came.

“Hi, I’m Jess. From accounting. Thought you’d want to know that we have some birthday cake in the break room. It’s Curtis’ birthday.”

I had absolutely no idea we had a break room. Or who Curtis was.

“Oh, thanks for letting me know.”

She stood there, smiling, probably waiting for me to introduce myself or make some other kind of small talk.

“I’ll be sure to get some,” I half-lied. Again, I had no idea where this break room was.

WE NOW SWITCH PERSPECTIVE

He had fallen for it, hook, line, and sinker. I chuckled quietly to myself as I nodded and walked away, knowing he’d earnestly search for the break room but never find it. We hadn’t had one in six years, ever since the Manhattan and magnet incidents. It just didn’t exist, and he had no idea. The only problem would be if he headed west to look for it, but hey, the odds of that were one in four, right?

Yes, I admit it, I was pressured into doing the prank by the other girls - the accounting girls - the cattiest of the catty. It was a club I had never signed up for but was indoctrinated into regardless. It was my duty, I suppose, and I had to put on a brave face.

WE NOW SWITCH PERSPECTIVE

The offer, at the very least, gave me an opportunity to explore around the office. I had never ventured beyond the direct path between the entrance, my cubicle, and the bathroom before, so I eagerly appreciated a chance to expand my horizons.

I set off west, like the pioneers before me. Passing by rows and rows of desks, huddled masses of people like me, cowering over their screens, worrying about their words per minute and efficiency ratios. I shuddered reflexively, worrying I might get caught skipping out on work like this. But the promise of cake, and the curiosity of it as well, kept me walking. West.

WE NOW SWITCH PERSPECTIVE

The guilt had caught up to me by now. I rushed back to his cubicle, eager to repent and tell the truth, worried that he may have gone west. When I got there he was gone. I started to panic. He, maybe, like so many others before him, had definitely, certainly, tragically gone west.

WE NOW SWITCH PERSPECTIVE

The air was getting colder, damper, and the offices were now more spread apart. I had noticed also that the lighting had gotten worse; flickers of static and sparks set off a show around me, their light casting unexpected and menacing shadows. The echoes of someone crying off in the distance occasionally reached my ears. I had lost track of time. How far had I traveled down this winding series of hallways? How long had I been gone? The paint was chipping. My feet were sore.

WE NOW SWITCH PERSPECTIVE

By this time, he had to be in the outer rim of the complex. I started to fast walk, and then jog, desperate to stop him, to shout out, to save this one. The fear and guilt again washed over me. I had to do more. Throwing off my heels, I darted into a full on sprint. He must stop. He must.

WE NOW SWITCH PERSPECTIVE

I glanced down at my watch. It said three hours had past, but, no, I was just remembering wrong, surely. How could I have spent that long walking? I looked around my position for what seemed like the first time in years. The offices were empty. The carpet had somehow switched to cold, unforgiving tile. All sounds were gone, blank, muted, silenced. A acidic, caustic, yet captivating odor floated around my head and breached my lungs. Where was I? Where was I? Where was I? And then, without warning, I was in the dark.

THERE IS ONE PERSPECTIVE

I had lost him.

Jan 16 2019  |  1,600 notes

dankmemesforsadteens

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a good evolution

lierdumoa

Memes have become so heavily context-dependent that they briefly spawned a side-phenomenon of corporations mistakenly assuming that the image combinations are simply random, and that “randomness” is what the new generation finds humorous, and then deliberately creating nonsense ads in a desperate attempt to appeal to the youth, which went on for several years before they finally started hiring younger social media managers.

Jan 16 2019  |  47,582 notes

fckin

not to be problematique but from what i see and hear on here the majority of self identifying asexuals aren’t actually asexual and are just experiencing internalized homophobia or are generally insecure and scared of the idea of having sex which is like …. normal. like i see so many gay people on here calling themselves ace cause they wanna kiss and hold their bfs/gfs but not have sex w/ them cause ew that’s icky and dirty and gross but never stop to think critically about why they feel that way. or “i don’t like having sex because i feel weird during and after” like perhaps maybe that’s because sex is weird and uncomfortable when you’re insecure about yourself and your body. just a thought

fckin

you think you’re taking a step forward by pushing this kind of behavior and way of thinking onto others but you’re actually taking three steps back like there are quite literally a million reasons why a person might feel uncomfortable with the idea of sex ESPECIALLY if they are trans/gay (which is a large percentage of this website) that doesn’t involve these micro identities like asexual or litho or whatever else y'all made up yesterday instead of letting these people grow and look inside themselves you’re keeping them stuck in the same place and telling them not to think about why they feel that way

jeremiahinnocence

I feel like this is a good post bc true points plus also most ace people I see on this site are under 18 and its not explained well enough to young kids how daunting sex is when youre not mature enough emotionally for it and its consequences. also teens are desperate for identity and a place of belonging and i feel like thats why we get all the really specific microidentities that are really just common traits of being a person growing and maturing bc it creates a sense of community missing in a lot of young ppls lives

Jan 16 2019  |  12,833 notes

3000s

people with an atrium in their house arent allowed to complain about anything or i’ll fucking attack them

3000s

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if your house is ever this sexy i’ll fucking kill you

polliewog

this is the cure to depression. if my house was that sexy my mental illness would go away

3000s

honestly yea

Jan 16 2019  |  85,896 notes

officialwaterfairy

Some of you actually stood up and recited the pledge of allegiance in school and it shows

twink-on-the-brink

i stand but i don’t face the flag nor do i recite

officialwaterfairy

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I approve

You’re officially invited to my Heck The Rules Club^TM that I just made just now

breathinginthecoke

The band kids at my school had first block in a seperate building. That building generally turned the intercom down, or off. Once the principal came in and watched our class, as he do, ya know. He was upset that we didn’t do the pledge. So the next day we had to stand and do the pledge. The only person who participated was the teacher. We sat silently. It was a group decision that wasn’t discussed before hand. He said ok. Later that week a petition was delivered to the principal about the pledge and how none of the kids wanted to do that. He doubled down, and told the teacher to send any kid not participating to the office. The following Monday when his policy of sending the kids to the office was in effect the entire band class was matched down to the office.

With our interments.

The principal tried to lecture us and the trumpet players were not having it. The drum major ran us through every song right there in the office.

After that the pledge was optional.

officialwaterfairy

(Quietly, but with a lot of feeling) holy s h I t

Jan 16 2019  |  9,619 notes

nerdgerhl

I feel like there are probably too many people just scrolling past this so let’s go through everything that’s going on here. 

1. With Roger’s voice actor standing off camera, Bob Hoskins acts into empty air and frantically sawing at his handcuff, continually looking up and down at different visual marks of various depths. Look at the slow pan up of his eyes in gif 4, and then the quick shift to his side. Think about how, on set, he was looking at nothing. 

2. Starting in gif 2, The box must be made to stop shaking, either by concealed crew member, mechanism, or Hoskins own dextrousness, as he is doing all of the things mentioned in point 1. 

3. In all gifs, Roger’s handcuff has to be made to move appropriately through a hidden mechanism. (If you watch the 4th gif closely you can see the split second where it is replaced by an animated facsimile of the actual handcuff, but just for barely a second.)

4. The crew voluntarily (we know this because it is now a common internal phrase at Disney for putting in extra work for small but significant reward) decided to make Roger bump the lamp and give the entire scene a constantly moving light source that had to be matched between the on set footage and Roger. This was for two reasons, A) Robert Zemeckis thought it would be funnier, and B) one of the key techniques the crew employed to make the audience instinctually accept that Toons coexisted with the live action environment was constant interaction with it. This is why, other than comedy, Roger is so dang clumsy. Instead of isolating Toons from real objects to make it easier for themselves, the production went out of its way to make Toons interact more with the live action set than even real actors necessarily would, in order to subtly, constantly remind the audience that they have real palpable presence. You can watch the whole scene here, just to see how few shots there are of Roger where he doesn’t interact with a real object. 

The crew and animators did all of this with hand drawn cell animation without computerized special effects. 1988, we were still five years out from Jurassic Park, the first movie to make the leap from fully physical creature effects to seamlessly integrating realistic computer generated images with live action footage. Roger’s shadows weren’t done with CGI. Hoskin’s sightlines were not digitally altered. Wires controlling the handcuff were not removed in post. 

Who fucking Framed Roger fucking Rabbit, folks. The greatest trick is when people don’t realize you’re tricking them at all. 

Jan 16 2019  |  354,682 notes